etere~ reassembles existing objects into a sound and video installation that treats infrastructure as an instrument.

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Two megaphones, light mount hardware, video tripods, and a single projector are not used as supports or utilities but as the complete material of the work. Nothing is fabricated to complete the setup. The installation is built through reorientation, reattachment, and rerouting, so that each object keeps its everyday identity while taking on a new role inside a shared circuit of image and sound.

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The audio is generative. It unfolds from rule based processes that continually recombine timbre, rhythm, and melodic contour, offering a citation of cloud rap as both texture and reference. Instead of replaying a song, etere~ borrows an atmosphere, softened harmonics, suspended phrases, and drifting cadence, and lets it mutate without a fixed beginning or end. The megaphones act as voices and as frames, projecting sound into the room with a directness that makes the mechanics of listening visible.