fluct~ emerges from the phenomenon of acoustic beating, where two nearby frequencies interfere and create slow oscillations in amplitude that shift between tone and rhythm. The work explores this fragile threshold, where the perception of sound moves from harmonic stability to temporal fluctuation, revealing how rhythm can arise from the smallest difference in pitch.

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Like osz~, the piece continues an ongoing research into the infrastructures of the food industry. In both works, pneumatic systems derived from high performance sorting technologies are recontextualised as instruments of sound production. In industrial processes, compressed air is used to separate, sort and expel, to enforce distinction through force.

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displayed at Gallerie CRMI (CH)